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Reiner, Muska, and Yagami Moon… what is the common appeal of people who are serious but have been turned into story characters?

It’s a serious piece of crap

出典 : Amazon.co.jp

Most of the story characters are actually competent.
Muska, Miserable, and Sephiroth, mentioned above, are lath-bosses, and Petelgeuse is one of the founders of the Witchcraft Order and a worthy and powerful opponent.
In the creation of the game, he is rather noticeable only as a competent person.

However, on the other hand, if you examine them carefully, you’ll find that they have holes in their actions, or they may be deceiving you with their atmosphere, but in reality they’re saying crazy things… the promise of a story character is that if you hit them, they’ll generate dust.
A particularly beloved story character is like a hammer, with one clunky side coming out of the woodwork after another.

One of Gundam’s most popular characters, Char Aznable, falls into this category.

She is the nemesis of the main character, Amuro Ray, and her achievements that led her to be known as the “Red Comet” are truly monstrous.
He is one of the strongest characters in the series, with a charismatic personality and a clear mind… but on the other hand, his performance in the series is not very good, and compared to Amuro, he lags behind in terms of growth, especially during his time as Quattro Vagina in Z. As time went on, he was seen as “great, but somehow shabby”.
Eventually, her maternal feelings for Laraa, who was younger than her, came into focus, and she became synonymous with “bubby”.

What the story characters that this case falls under have in common is that they are the opposite of being charismatic or cool or clunker.
Many people are attracted to this gap.
There’s a genre called “serious laughter”, but it’s probably because they are “serious clunkers” that people love them so much.

And one of the best examples of serious clunkers is Rainer from “Shinkenger no Kyojin”.
Initially, he was the leader of the 104th Training Corps, and he’s both excellent and charming, and is admired for it. But after revealing her true nature as the Titan in Armor, Eren He cursed me for being “really creepy” from the “really creepy” from Mare’s warrior self and a member of the 104th Training Corps. It turns out that Annie was mentally ill and once a failure due to the boardroom conflict with herself, which is He was beaten up, survived no matter how many times he almost died, and even at the end of the story, he never recovered his honor. There is no opportunity.

Every time he appears in a scene where he is in a terrible situation, readers rejoice with sympathy and love for Reiner.
He is a true example of a story character.

Decency to not be cheap

出典 : Amazon.co.jp

In fact, the most important thing in a story character, and the one thing most characters have in common, is character.
A character who completely lacks character is not going to be loved as a story character.
Even if the content is dirty, the language may be polite, or the character has a gentlemanly side, and most characters have a certain elegance to them.

Classy isn’t just about what’s on the inside.
It also includes the face.
Reiner’s fearless face alone gives him a sense of decency, and if he had been more simple on the outside, he wouldn’t be as beloved as he is.

This is especially true of Yagami Raito in Death Note.
He eventually falls to the point of being a prick, but he’s a well-bred, legitimately handsome man with a legitimate face, and it’s because he’s so vulnerable to agitation and ugliness that he’s a viable story character.

The same is true for the female characters.
Darjeeling, a.k.a. “Dar-sama” from Girls und Panzer, has a bit of a heavy-handed attitude, but her characterization greatly diminishes it, while at the same time highlighting her quirky comments.

The nether characters are often cut out of one scene in the film and exposed many times on the internet.
It’s not uncommon for them to be made into a cola.
If the character has no character, the numerous exposures can be more than a little offensive and cheap.

Only characters that can withstand those situations are the ones that remain beloved as story characters for a long time.

Summary

A story character is very important, and most works that have created such a character can overcome most things.
It’s not an exaggeration to say that they are like a lubricant between the fans and the work (the author).
They are practically invincible.

Of course, it’s not something that can be created on purpose, so it’s interesting that you never know when or if he’s going to be born in any given work.
I’m looking forward to seeing more Rainer-level characters in the future!

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